Objects may be closer than they appear


An out of focus image of a woman, taken several years ago, and the weak recollection of the actual scene, ignited a photographic project on memory. What do we choose to remember and how do we select the part of reality that becomes a photographic image? 

When the, staged in a way, image, becomes an enjoyable replacement for the authentic memory?

This is a series of disarranged remembrances and false photographic documentation.